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For MAGNIFICENT VISIONS, within the framework of WELLESIAN MAY, film screening of The third man by Carol Reed.
New rendez-vous for MAGNIFICENT VISIONS - Permanent Festival of Restored Film, within the framework of WELLESIAN MAY – the event organised by Turin University and the National Cinema Museum – with the screening of The third man by...
ContinueFor the CHORDS & DISCORDS – A story of everyday bickering showcase, screening of Buddy Buddy by Billy Wilder.
The CHORDS & DISCORDS – A story of everyday bickering films cycle held in March and April at the “Mario Gromo” Library/Mediatheque, a cinema showcase which is the result of the Communicating cinema. A project and implementation of a film showcase laboratory, is...
ContinueCHAIN REACTIONS. Alejandro González Iñárritu’s films showcase.
The National Cinema Museum is organising an integral retrospective – from 9 to 17 May 2015 at the Cinema Massimo – dedicated to director Alejandro González Iñárritu. Following his triumphs at the Oscars with this first totally Hollywood-made film, the showcase will retrace the...
ContinueFor [Import], screening of the faithful transposition of Emily Brontë’s only novel Wuthering Heights by Andrea Arnold.
The interesting monthly [Import] rendez-vous is continuing at the Cinema Massimo, with the aim of bringing the very latest films which received great accolades at international festivals, but did not find any distribution in Italy, to the cinema. This occasion is proposing the...
ContinueFor DAMS DAY – Images, words and sounds from the Turin DAMS students of cinema and media, Sight & Sounds by Luca Giglio
On the strength of their relationship over several years, involving esteem and active collaboration, the Turin University DAMS and the National Cinema Museum are proposing an entire day of screenings for the first time, during which the...
ContinueFor the CINEMA AND PSYCHOANALYSIS, LOVE AND SEXUALITY cycle, screening of Chloe by Atom Egoyan. To follow, meeting with Stefania Pandolfo.
The cycle of screenings organised by the National Cinema Museum and the Turin Centre for Psychoanalysis is continuing, with a new rendez-vous offering a film a month until December 2015. The aim of this showcase is to show how cinema has been...
ContinueInauguration for WELLESIAN MAY, with a meeting and a screening of Filming Othello by Orson Welles.
For the occasion of Orson Welles’ birth centenary (6 May 1915 - 15 October 1985), the National Cinema Museum and Turin University are organising WELLESIAN MAY, a cycle of meetings dedicated to this great artist...
ContinueCULT! in May is Paradise: Hope, the third and last chapter ending the trilogy by Ulrich Seidl.
Following Paradise: Love and Paradise: Faith, for its CULT! date in May the National Cinema Museum is offering Paradise: Hope, the final chapter of the debated trilogy by Ulrich Seidl.
Presented in three different...
ContinueThe 35mm cycle is continuing with Kes by Ken Loach, one of the most important films in British independent cinema.
The rendez-vous in May with 35mm – the cycle conceived for highlighting the National Cinema Museum heritage on film – is continuing with the screening of Kes by Ken Loach.
Drawn from the novel A Kestrel for a Knave by...
ContinueFor MAGNIFICENT VISIONS, film screening of Le joli Mai by Chris Marker, introduced to the public by Ivelise Perniola with Giulia Carluccio.
New rendez-vous for MAGNIFICENT VISIONS – Permanent Festival of Restored Film, with the screening of Le joli Mai (The lovely month of May) by Chris Marker in its restored version. Repeat screening on Wednesday 6 May at 4.00 p.m. The...
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