The last event in the CRIMINALI DA STRAPAZZO (THIRD-RATE CRIMINALS) festival features a screening of Ernst Lubitsch’s film Trouble in Paradise, introduced by Andrea Mattacheo.
A presentation of Federica Villa’s book Il cinema che serve: Giorgio Bassani cinematografico (Useful cinema: Giorgio Bassani’s film work) followed by a screening of Florestano Vancini’s film La lunga notte del ’43 (Long Night in 1943) for DIALOGHI IN CORSO.
The National Cinema Museum is participating in the second edition of the SEGNI (SIGNS) 20”+20” – Metropolitan video art festival.
Per VOCI DEL SILENZIO, incontro dal titolo UN POE DI GRIFFITH. Edgar Allan Poe nel cinema degli anni Dieci. Riflessioni sull’incontro tra i due maestri della narrazione seguite dalla proiezione di Edgar Allen Poe e La coscienza vendicatrice di David W.Griffith.
Nuovo appuntamento della rassegna CRIMINALI DA STRAPAZZO con la proiezione del film Il diavolo è femmina di George Cukor presentato da Hamilton Santià.
The Millenovecento63: Italian films in 1963 festival, organised by the National Cinema Archive of the Resistance at Cinema Massimo
At the Sottodiciotto (Under-eighteens) Filmfestival, the film director Jean-Pierre Jeunet will meet the audience to mark the occasion of the national premiere of his film Micmacs.
In order to mark the 41st anniversary of the Piazza Fontana Massacre, the National Cinema Museum presents UN FASCIO DI BOMBE (A BUNDLE OF BOMBS): Pictures of an Italian massacre. A meeting with Castelli, Gomboli and Manara.
A screening of Daniele Cini’s documentary Noi che siamo ancora vive (We Who Are Still Alive) as part of SAPERI DI DONNA (THE WISDOM OF WOMEN).
Gli orari del Museo Nazionale del Cinema in occasione del Ponte dell’Immacolata
The second event in the CRIMINALI DA STRAPAZZO (THIRD-RATE CRIMINALS) festival features a screening of Preston Sturges’s The Lady Eve, introduced by Attilio Palmieri.
The inauguration of the festival entitled CRIMINALI DA STRAPAZZO (THIRD-RATE CRIMINALS: Thieves, cheats and gangsters in American comedy) opens with a screening of Frank Capra’s film Arsenic and Old Lace, introduced by Riccardo Fassone.
