The National Cinema Museum and the DAMS college for the performing arts present Andrzej Wajda’s film Ashes and Diamonds, for the HISTOIRE(S) DU CINÉMA series, introduced by Giaime Alonge.
As part of CROSSROADS, the National Cinema Museum presents Vincent Morisset’s documentary on Sigur Rós: Inni. Introduced by the music critic Hamilton Santià.
A roundtable discussing the issue of CONTROL, VIDEO SURVEILLANCE AND PRIVACY for the DIALOGHI IN CORSO series of new books, DVDs and readings, and a presentation of the book Videosorveglianza e privacy, published by Experta Edizioni, 2011.
As part of MAGNIFICHE VISIONI (MAGNIFICENT VISIONS): The Permanent Festival of Restored Film, the National Cinema Museum presents Stanley Kubrick’s film A Clockwork Orange at Cinema Massimo.
The festival entitled SPETTACOLO DI VARIETÀ (VARIETY PERFORMANCE): Classic American musicals opens with a screening of Vincente Minnelli’s film An American in Paris. Introduced by Mariella Lazzarin.
As part of FARE GLI ITALIANI (MAKING ITALIANS): The history of Italy in film, the National Cinema Museum presents Nanni Moretti’s Palombella rossa (Red Lob) and Marco Bellocchio’s Buongiorno notte (Good Morning, Night).
This year as ever, the National Cinema Museum is participating in Contemporary Arts Night, a long-standing event for ContemporaryArt Torino Piemonte.
In conjunction with the retrospective entitled Amos Gitai: The Architecture of Memory, the Israeli film director presents his film Esther.
The National Cinema Museum and the DAMS college for the performing arts present Yasujiro Ozu’s film Tokyo Story for the HISTOIRE(S) DU CINÉMA series, introduced by Dario Tomasi.
The National Cinema Museum presents part two of its HOLLYWOOD PARTY: Blake Edwards retrospective at Cinema Massimo.
As part of MAGNIFICHE VISIONI (MAGNIFICENT VISIONS): The Permanent Festival of Restored Film, the National Cinema Museum presents Ken Loach’s film Kes at Cinema Massimo.
The National Cinema Museum’s opening hours for All Saints Day
